ARTICLES

• ArtsHub, The art of audio description (April 2024)

• ArtsHub, How to create exciting and accessible tactile tours (March 2024)

• ABC, ‘I believe deaf people are the best listeners in the world’: Just another day as a deaf music critic (December 2023)

• ABC, ‘Music photographer on wheels Brittany Long is 'known for whatever it takes' to get the best shot’ (December 2023)

• ABC, ‘Cute clothes for every body: the rise of adaptive fashion’ (December 2023)

• ABC, ‘Teaching Auslan must involve conversations about access and inclusion’ (July 2023)

• OpenBook, Self-Portrait (October 2022)

• ABC, ‘“Everyone can benefit”: Learning Auslan gives you a new language and new culture’ (Feb 2022)

• ABC, ‘Auslan and deaf-friendly mental health services are overrun with demand, counsellors say’ (October 2021)

• The Saturday Paper, ‘Why tinnitus is on the rise’ (October 2021)

• The Saturday Paper, ‘Interpreting the pandemic’ (August 2021)

• Runway Journal x West Space, ‘Interdependence’ (August 2021)

• ABC, ‘Aboriginal sign languages have been used for thousands of years’ (June 2021)

• Meanjin, ‘What I’m Reading’ (July 2021)

• The Victorian Writer, ‘A body in hiding: Learning to listen’ (July 2021)

• The Guardian, ‘I’ve always been terrified of losing my hearing—but when it happened, I craved silence’ (May 2021)

• Sydney Morning Herald, ‘My Secret felt like a splinter’ (April 2021)

• Meanjin, In Marginalia (March 2021)

• Growing up Disabled in Australia anthology (Black Inc, Feb 2021)

• Creative Control, ‘Discovering every detail: writing about disability’ (December 2020)

• Wellcome Collection, ‘Pain and the power of touch’ (October 2020)

• Verve Journal, ‘Cornered’ (MUP, August 2020)

• Eureka Street, ‘The Anatomy of Hope’ (Feb 2020)

• The Victorian Writer, ‘Habits of a writer’ (October 2019)

• The Lifted Brow, ‘The Strangest Architecture’ (September 2019)

• Overland Journal, ‘Reasonable adjustments’ (December 2019)

• The Near and the Far anthology (Scribe, August 2019)

• Kill Your Darlings, ‘Cornered: Buildings and Bodies’ (July 2019)

• The Wheeler Centre blog, ‘How much does a secret weigh?’ (April 2019)

• Eureka Street, ‘Deciding to disclose an invisible disability’ (November 2018)

• Croakey, ‘Discrimination and the body: The Able Australia Policy’ (July 2018)

• Griffith Review: Who We Are anthology, Discrimination and the body: The Able Australia Policy (Text, 2018)

• Overland Journal ‘Yanny, Lanny or a thought experiment in empathy’ (August 2018)

• The Big Issue, ‘Hook, Line, Summer’ (February 2018)

• Junkee, ‘Five tips to minimise headaches’ (February 2018)

• The Victorian Writer, ‘The Shape of Sound’ (January 2018)

• Meanjin, ‘The Telling of the Bees’ (October 2017)

• The Age, ‘My Place: behind the microphone sharing the news’ (June 2017)

• Kill Your Darlings, ‘Flat’ (March 2017)

• The Writers Bloc, ‘Reading between the lines’ (December 2017)

• Feminartsy, monthly column (June 2017 to March 2018)

• CutCommon, ‘Classical Music: what’s in it for young people’ (August 2017)

• The Spit Press, regular essays (June 2011 to December 2011)

CRITICISM

• The Saturday Paper, The Pulling (March 2024)

• ArtsHub, Mona Sessions (February 2024)

• ArtsHub, Hyperbolic Psychedelic Mind Melting Tunnel of Light (February 2024)

• The Saturday Paper, Bird Life (February 2024)

• The Guardian, Oil (November 2023)

• The Saturday Paper, The Night Terrors’ Hypnotica (November 2023)

• The Saturday Paper, The Dictionary of Lost Words (November 2023)

• The Saturday Paper, The Collected Works of Jo Ann Beard (October 2023)

• The Saturday Paper, Sleepless: A Memoir of Insomnia (August 2023)

• The Saturday Paper, The Weekend (August 2023)

• The Saturday Paper, What an Owl Knows (July 2023)

• The Saturday Paper, The Memory of Animals (April 2023)

• Kill Your Darlings, The Anniversary (April 2023)

• The Saturday Paper, Cursed Bread (March 2023)

• The Saturday Paper, Hope Renewed (March 2023)

• The Saturday Paper, All of Us (Feb 2023)

• The Saturday Paper, Shadow Phase (December 2022)

• Big Issue, Stranger I Know (March 2022)

• Kill Your Darlings, How to End a Story (Nov 2021)

• Kill Your Darlings, Who Gets to be Smart (June 2021)

• Kill Your Darlings, ‘Insomnia and Fear Collide in The Shapeless Unease’ (May 2020)

• In Review, regular reviews (October 2016 to February 2017)

• FasterLouder, regular reviews (January 2010 to July 2012)

FICTION + POETRY

• Griffith Review: Real Cool World, Convergence (Issue 77, 2022)

• Australian Poetry Journal: APJ 9.2 (January 2020)

• Grieve: Vol.7 Anthology (Hunter Writers’ Centre, August 2019)

• Grieve: Vol.5 Anthology (Hunter Writers’ Centre, August 2017)

• The Disappearing, ‘Tin Symphony’ (June 2017)

• New Shoots Anthology: poems inspired by plants (Red Room Poetry, May 2017)

PROJECTS

• ABC Everyday — Guest Editor, Arts and Entertainment (Oct 2023 to December 2023)

• Varuna, The Writer’s Space — creative writing tutor + disability equality trainer (2021 to present)

• Accessible Arts NSW — accessibility consultant + disability equality trainer (2022 to present)

• The Circular — Guest Editor (Edition 23, 2022)

• Sydney Writers Festival — Guest Curator (2022)

• WestWords — creative writing tutor (2021 to present)

• Victorian Writer Magazine — Guest Editor (Dec 2019/Jan 2020 issue)

• Writers Victoria, Write-ability Program — creative writing tutor + disability equality trainer (2018 to 2021)

• RMIT, Odyssey Literary Festival — Communications Manager (2018)